Richard Schickel Movies

Censorship issues with the film "A Streetcar Named Desire."

This tribute to Myrna Loy is organized chronologically with a few photographs, many film clips, a handful of personal appearances, and a detailed...

Hosted by Clint Eastwood, Hollywood Remembers: Gary Cooper -- American Life, American Legend is a biographical portrait of the life and times of...

Documentary short on Marlon Brando included in the DVD extras of The Streetcar Named Desire.

Richard Schickel and Oliver Stone are among the experts who talk about the film noir Crime Wave.

Behind the scenes of Unforgiven (1992)

Career overview of Hollywood legend Frank Capra by Time magazine film critic Richard Schickel.

Career overview of Hollywood director "Wild Bill" Wellman,

Documentary on Alfred Hitchcock's 1941 film "Rebecca" and the working relationship of Hitchcock and producer David O. Selznick.

This ten-minute segment, heralded as part of a new shorts program, is composed of excerpts from a 1972 audio conversation between Hawks and Peter...

In 1972 and '73, film critic Richard Schickel made an 8-part series for American public television: 'The Men Who Made the Movies'. Each episode...

An original documentary featuring an exclusive interview with Ron Howard, who recounts his remarkable career from child star to Oscar-winning...

How the play was adapted to Film

This 2009 documentary features directors Bob Rafelson, Peter Bogdanovich, and Henry Jaglom, actor-director Jack Nicholson, and actresses Karen Black...

The spectacular CBS special! Shirley Temple Black hosts the festivities as 50 of today's top stars count down the 50 greatest screen legends of all...

Making-of documentary for Sergio Leone's landmark spaghetti western "The Good, the Bad and the Ugly."

A look back at Clint Eastwood's career from the release of Unforgiven (1992)

An in-depth analysis and celebration of the famous "I coulda been a contender" scene between Marlon Brando and Rod Steiger in the 1954 film "On the...

Presents testimony from Patricia King Hanson and Richard Schickel and archival input from cinematographer John Alton.